The Law of One Session 75
第七十五場集會
31-Oct-81
1981年十月31日
75.0 ▶ Ra: I
am Ra. I greet you in the love and in the light of the One Infinite Creator. We
communicate now.
75.0RA：我是Ra。我在太一無限造物者的愛與光中向你們致意。我們現在開始通訊。
75.1 ▶
Questioner: Could you first please give me the condition of the instrument?
75.1 發問者：可否請你先給我、該器皿的狀態？
Ra: I am Ra. It is as previously stated
with some slight lessening of the reserve of vital energy due to
mental/emotional distortions regarding what you call the future.
RA：我是Ra。如前所述、生命能儲存量些微地減少、由於某些心理/情緒的變貌、關於你們稱為的未來。
"75.2 ▶
Questioner: I felt that this session was advisable before the instrument has
her hospital experience. She wished to ask a few questions, if possible, about
those."
75.2 發問者：我感覺在該器皿擁有她的醫院經驗之前、舉行這次集會是合宜的。如果可能，她想要問一些關於那方面的問題。
"First, is there anything that the
instrument or we might do to improve the hospital experience or to aid the
instrument in any way with respect to this?"
首先，是否有任何事是該器皿或我們可以做的、好改善該醫院經驗、或以任何方式在這方面協助該器皿？
Ra: I am Ra. Yes. There are ways of aiding
the mental/emotional state of this entity with the notation that this is so
only for this entity or one of like distortions. There is also a general thing
which may be accomplished to improve the location which is called the hospital.
RA：我是Ra。是的。有些方式可以協助這個實體的心理/情緒狀態，附帶說明、這只對該實體或具有相似變貌之個體有效。還有一件普遍的事可以被完成、以改善這個被稱為醫院的地點。
The first aiding has to do with the
vibration of the ritual with which this entity is most familiar and which this
entity has long used to distort its perception of the One Infinite Creator.
This is an helpful thing at any point in the diurnal period but is especially
helpful as your sun body removes itself from your local sight.
首先的協助跟這個實體最熟悉的儀式之振動有關，這個實體長久以來使用該儀式扭轉自己對太一無限造物者之感知變貌。在白晝時期的任何一點做這件事都是有益的，但當你們的太陽體離開你們區域視野時、做這件事是特別有幫助的。
"The general improvement of the place
of the performance of the ritual of the purification of the place is known. We
may note that the distortion towards love, as you call this spiritual/emotional
complex which is felt by each for this entity, will be of aid whether this is
expressed or unmanifest as there is no protection greater than love."
改善該地方的一般方法是已知的、即在現場執行淨化儀式。我們可以補充說明：朝向愛的變貌[即你們對這個靈性/情感複合體的稱呼]、你們每位對這個實體都感覺到愛、將會有幫助，不管它是否被表現出來或是未顯化(狀態)、因為沒有任何保護大於愛。
75.3 ▶
Questioner: Do you mean that it would be valuable to perform the Banishing
Ritual of the Lesser Pentagram in the room that she will be occupying in the
hospital?
75.3 發問者：你的意思是：當她住在醫院的期間、在她居住的房間中執行小五芒星的驅逐儀式會是有價值的？
Ra: I am Ra. This is correct.
RA：我是Ra。這是正確的。
75.4 ▶
Questioner: I was wondering about the operating room. That might be very
difficult. Would it be helpful there?
75.4 發問者：我想知道手術間的情況。那可能會十分困難，它在那兒會有幫助嗎？
"Ra: I am Ra. This is correct. We may
note that it is always helpful. Therefore, it is not easy to posit a query to
which you would not receive the answer which we offer. This does not indicate
that it is essential to purify a place. The power of visualization may aid in
your support where you cannot intrude in your physical form."
RA：我是Ra。這是正確的。我們可以補充說明：它總是有幫助的。因此，對於該情況、你不容易提出一個詢問、而不會接收到我們目前提供的答案。這並不表示去淨化一個地方是一定必要的。當你們無法以肉體形式闖入一個地方、觀想的力量可以協助你們的支援。
75.5 ▶
Questioner: I see the way to do this as a visualization of the operating room
and a visualization of the three of us performing the banishing ritual in the
room as we perform it in another location. Is this the correct procedure?
75.5 發問者：我看見的做法是：觀想該手術間、接著觀想我們三個人正在房間內執行驅逐儀式、同時我們在另一處執行它。這是正確的程序嗎？
Ra: I am Ra. This is one correct method of
achieving your desired configuration.
RA：我是Ra。這是獲致你們渴望的配置的一個正確方法。
75.6 ▶
Questioner: Is there a better method than that?
75.6 發問者：是否有比那更好的方法？
"Ra: I am Ra. There are better methods
for those more practiced. For this group, this method is well."
RA：我是Ra。對於那些更熟練的實體有更好的方法。對於這個小組、這個方法是良好的。
"75.7 ▶ Questioner:
I would assume those more practiced would leave their physical bodies and, in
the other body, enter the room and practice the banishing ritual. Is this what
you mean?"
75.7 發問者：我假設那些更熟練的實體會離開他們的肉身，接著以另一個形體進入該房間、並且實施驅逐儀式。這是不是你的意思？
Ra: I am Ra. This is correct.
RA：我是Ra。這是正確的。
"75.8 ▶
Questioner: The instrument would like to know if she can meditate in the
hospital without someone holding her hand, and would this be a safe
practice?"
75.8 發問者：該器皿想要知道、她能否在沒有人握住她的手的情況下，自己在醫院中冥想，這會是一個安全的練習嗎？
Ra: I am Ra. We might suggest that the
instrument may pray with safety but only meditate with another entity’s tactile protection.
RA：我是Ra。我們認為該器皿可以安全地祈禱、但只有在另一個實體之觸覺保護下、才冥想。
"75.9 ▶
Questioner: The instrument would like to know what she can do to improve the
condition of her back, as she says it could be a problem for the
operation."
75.9 發問者：該器皿想知道她能做什麼以改善她背部的狀態，因為她說、這可能是手術中的一個問題？
Ra: I am Ra. As we scan the physical
complex we find several factors contributing to one general distortion
experienced by the instrument. Two of these distortions have been diagnosed;
one has not; nor will the entity be willing to accept the chemicals sufficient
to cause cessation of this distortion you call pain.
RA：我是Ra。我們掃描該肉體複合體、我們發現幾個因素促成該器皿經驗的一般性扭曲。這些扭曲(因素)有兩個已經被診斷出來；一個還沒有；這個實體也不會願意接受足夠的化學藥劑以促使這個你們稱為的痛苦變貌中止。
"In general we may say that the sole
modality addressing itself specifically to all three contributing distortions,
which is not now being used, is that of the warmed water which is moved with
gentle force repeatedly against the entire physical complex while the physical
vehicle is seated. This would be of some aid if practiced daily after the
exercise period."
一般而言，我們可以說有個單一療程、具體針對所有三個促成扭曲之因素，目前尚未被使用，那就是加溫後的水，然後以溫和的動力反覆地轉動水、同時碰撞整個肉體複合體，在這期間、該肉體載具呈坐姿。如果在每次運動之後實行這(療程)將會有些協助。
75.10 ▶
Questioner: Did the exercise of the fire that was just performed before the
session help the instrument?
75.10 發問者：(我們)剛才在集會前執行的火之練習有幫到該器皿？
"Ra: I am Ra. There was some slight
physical aid to the instrument. This will enlarge itself as the practitioner
learns/teaches its healing art. Further, there is distortion in the
mental/emotional complex which feeds the vital energy towards comfort due to
support which tends to build up the level of vital energy as this entity is a
sensitive instrument."
RA：我是Ra。對該器皿有些微的肉體幫助。當實行者學習/教導它的治療藝術之際、這個練習的效用將自行擴大。再者，在心智/情緒複合體中、有個餵養生命能的變貌正朝向舒適，這是由於(小組的)支持傾向增長其生命能水平，因為這個實體是一個敏感的器皿。
75.11 ▶
Questioner: Was the exercise of fire properly done?
75.11 發問者：先前的火之練習是否適當地被完成？
Ra: I am Ra. The baton is well visualized.
The conductor will learn to hear the entire score of the great music of its
art.
RA：我是Ra。指揮棒已經被良好地觀想。指揮者將學習去聽見它的偉大音樂藝術的整個樂譜。
75.12 ▶
Questioner: I assume that if this can be fully accomplished today that exercise
would result in total healing of the distortions of the instrument to such an
extent that operations would be unnecessary. Is this correct?
75.12 發問者：我假設如果今天能充分地達成這點、那個練習將造成該器皿各項扭曲的全面痊癒、以致於沒有需要動手術。這是否正確？
Ra: I am Ra. No.
RA：我是Ra。否。
"75.13 ▶
Questioner: What else is necessary, the instrument’s acceptance?"
75.13 發問者：還需要其他東西，該器皿的接納？
"Ra: I am Ra. This is correct, the
case with this instrument being delicate since it must totally accept much
which the limitations it now experiences cause to occur involuntarily. This is
a pre-incarnative choice."
RA：我是Ra。這是正確的，這個器皿的情況是纖細的，因為它必須完全地接納它現在經驗的、許多非志願發生的限制。這是一個投生前的選擇。
75.14 ▶
Questioner: The instrument would like to know why twice at the “Benedictus”
portion of the music that she practices did she experience what she believes to
be a psychic attack?
75.14 發問者：該器皿會想要知道、為什麼她在練習時，當唱到「撒迦利亞頌」的音樂部分，她兩次經驗到[她相信是]一種超心靈攻擊？（吉姆寫道：在這個問題中，唐給出的印象是：這個超心靈問候發生在排演或練習的場合，主旨是JS.巴哈的B小調彌撒曲。然而，我回想起這個事件是在路易維爾的巴哈協會、當時在演奏這首樂曲。36年以後，我仍然有記憶、在卡拉對唐與我講述她體驗的超心靈問候、當她在合唱團歌唱之際。我腦海中想著、如果我想要在超心靈問候發生之際、幫助卡拉，我必得跳出陽台的座椅、降落到表演的舞台中間、地點是路易維爾音樂學院。那就是為什麼、我相信這個超心靈問候發生在實際的正式演出、而不是發生在一次排演或練習之中。）
"Ra: I am Ra. This is not a minor
query. We shall first remove the notations which are minor. In the vibrating,
which you call singing, of the portion of what this instrument hallows as the
Mass which immediately precedes that which is the chink called the “Hosanna” there is an amount of physical exertion
required that is exhausting to any entity. This portion of which we speak is
termed the “Sanctus.” We come now
to the matter of interest."
RA：我是Ra。這不是個次要的詢問。我們將首先移除那些次要的註記。這個器皿將彌撒視為神聖儀式，在該次振動、你們稱為歌唱、的時期；有一段歌唱需要肉體盡力才能完成，任何實體都會因此精疲力竭；我們說的這段音樂被稱為「聖哉」，緊接著就是一個(防護)裂縫、被稱為「和撒那」。現在我們來到關切的主題上。
When the entity Jehoshua decided to return
to the location called Jerusalem for the holy days of its people it turned from
work mixing love and wisdom and embraced martyrdom which is the work of love
without wisdom.
當這個實體，Jehoshua（Ra提到的Jehoshua實體、即是Ra先前確認為聖經時代的耶穌。），決定在該民族的神聖節日返回被稱為耶路撒冷的地方，它轉身背對混合愛與智慧的工作、擁抱殉道，即沒有智慧的愛之事工。
"The “Hosanna,” as it is termed, and
the following “Benedictus,” is that which is the written summation of what was
shouted as Jehoshua came into the place of its martyrdom. The general
acceptance of this shout, “Hosanna to the son of David! Hosanna in the highest!
Blessed is he who comes in the name of the Lord!” by that
which is called the church has been a misstatement of occurrence which has
been, perhaps, unfortunate for it is more distorted than much of the so-called
Mass."
被稱為「和撒那」的音樂，以及隨後的「撒迦利亞頌」，是一段書寫的摘要，記載當Jehoshua進入它的殉道場所時、群眾高喊的話語。一般認可的這段呼喊：「和撒那歸於大衛的子孫!和撒那於至高之天!奉主名而來的是蒙福的！」教會所描述的這段其實是錯誤的陳述，這個事件或許是不幸的，因為它比所謂的彌撒中的許多東西要更為扭曲。
"There were two factions present to
greet Jehoshua, firstly, a small group of those which hoped for an earthly
king. However, Jehoshua rode upon an ass stating by its very demeanor that it
was no earthly king and wished no fight with Roman or Sadducee."
"The greater number were those which
had been instructed by rabbi and elder to make jest of this entity, for those
of the hierarchy feared this entity who seemed to be one of them, giving
respect to their laws and then, in their eyes, betraying those time-honored
laws and taking the people with it."
人數較多的一派由拉比與長老命令前來嘲弄這個實體，因為那些屬於神職階級的實體們畏懼這個實體；它們認為這個實體似乎曾是它們的一員，尊重它們的律法，然後，在它們的眼中，背叛那些由來已久的律法、並把人群帶走跟隨它。
"The chink for this instrument is this
subtle situation which echoes down through your space/time and, more than this,
the place the “Hosanna” holds as the harbinger of that turning to martyrdom. We
may speak only generally here. The instrument did not experience the full force
of the greeting which it correctly identified during the “Hosanna” due to the
intense concentration necessary to vibrate its portion of that composition.
However, the “Benedictus” in this particular rendition of these words is vibrated
by one entity. Thus the instrument relaxed its concentration and was
immediately open to the fuller greeting."
對於這個器皿而言，該裂縫即是這個微妙的情況順著你們的空間/時間(之流)迴響著;此外，「和撒那」持守的位置如同轉向殉道的前兆。我們只能大致說到這裡。當音樂進行到「和撒那」段落，該器皿並未經驗到該致意的完整原力，但它正確地辨識出該致意，這是由於此時需要強烈專心於振動這部分的樂章。然而，當演奏來到「撒迦利亞頌」的段落，這些詞句僅由一個實體振動，因此該器皿放鬆它的專注程度，並立刻向更完整的致意敞開。
"75.15 ▶
Questioner: The chink then, as I understand it, was originally created by the
decision of Jesus to take the path of martyrdom? Is this correct?"
75.15 發問者：那麼，就我的理解，該裂縫起初被創造的來由是耶穌決定走上殉道的途徑？這是否正確？
"Ra: I am Ra. This is, in relation to
this instrument, quite correct. It is aware of certain over-balances towards
love, even to martyrdom but has not yet, to any significant degree, balanced
these distortions. We do not imply that this course of unbridled compassion has
any fault but affirm its perfection. It is an example of love which has served
as beacon to many."
RA：我是Ra。就這個器皿與這件事的關係來說，這是相當正確的。它覺察到過度倒向愛而失衡，甚至到了殉道的地步、但尚未平衡這些扭曲、到達任何顯著的程度。我們並沒有暗示這條不受拘束的憐憫心之路有任何缺陷、但肯定它的完美。它是一個愛的範例，如同烽火臺一般服務了許多實體。
"For those who seek further, the
consequences of martyrdom must be considered, for in martyrdom lies the end of
the opportunity, in the density of the martyr, to offer love and light. Each
entity must seek its deepest path."
對於那些進一步尋求的實體而言，殉道的後果必須被考量，因為在殉道中、存在機會之終結、在殉道者的密度中終止提供愛與光的機會。每個實體必得尋求它最深沉的途徑。
"75.16 ▶
Questioner: Let me see if I understand, then, how the Orion group finds a chink
in this distortion. The entity identifying, or having a distortion of any
amount toward martyrdom is then open by its free will to the aid of the Orion
group to make it a martyr. Am I correct?"
75.16 發問者：那麼，讓我看看我是否理解，該獵戶群體如何在這個扭曲中找到一個裂縫。該實體不管在任何額度上、認同朝向殉道的途徑，於是依它的自由意志向獵戶群體的協助敞開、使它成為一個殉道者。我是否正確？
"Ra: I am Ra. You are correct only in
the quite specialized position in which the instrument finds itself, that is,
of being involved in and dedicated to work which is magical or extremely
polarized in nature. This group entered this work with polarity but virtual
innocence as to the magical nature of this polarity it is beginning to
discover."
RA：我是Ra。只有在該器皿發現自己所處的相當特殊的位置上，你才是正確的；也就是說，(器皿)涉入並奉獻於魔法的、或極度極化特質的工作上。這個小組帶著極性進入這個工作、但實質上對於這個極性的魔法特性是天真無知的。它正在開始發現(這點)。
"75.17 ▶
Questioner: How was the Orion entity able to act through this linkage of the “Hosanna?” Was this simply because
of the mental distortion of the instrument at this period of time, because of
that suggested by the music, or was it a more physical or more metaphysical
link from the time of Christ?"
75.17 發問者：該獵戶實體如何透過「和撒那」的連結來作用？是否單純由於該器皿在這個時期的心智扭曲，因為…受到音樂的暗示？或者這是一個從基督時代就有的、更為具體或形而上的連結？
"Ra: I am Ra. Firstly, the latter
supposition is false. This entity is not linked with the entity, Jehoshua.
Secondly, there is a most unique circumstance. There is an entity which has
attracted the attention of an Orion light being. This is extremely rare."
RA：我是Ra。首先，後者的假設是謬誤的：這個實體並未與該實體，Jehoshua，連結。其次，這是一個最為獨特的情況。有一個實體已經吸引一個獵戶的光之存有。這是極度罕見的。
"This entity has an intense devotion
to the teachings and example of the one it calls Jesus. This entity then
vibrates in song a most demanding version, called The Mass in B Minor by Bach,
of this exemplary votive complex of sound vibrations. The entity is consciously
identifying with each part of this Mass. Only thusly was the chink made
available. As you can see, it is not an ordinary occurrence and would not have
happened had any ingredient been left out: exhaustion, bias in belief
complexes, attention from an Orion entity, and the metaphysical nature of that
particular set of words."
這個實體強烈奉獻於[它稱為]耶穌的教導與範例。這個實體當時振動的歌曲是個十分苛求的版本，被稱為巴哈B小調彌撒曲，這些聲音振動屬於模範的誓願複合體。該實體有意識地認同這個彌撒的每一個部分。唯有如此、該裂縫才變得可以被利用。如你可見的，它不是一個普通的事件、如果任何成分被遺漏、就不會發生：精疲力竭、信仰複合體中的偏見、一個獵戶實體的注意、以及那組特定話語的形而上本質。
"75.18 ▶
Questioner: What was the Orion entity’s objective with respect to the entity you spoke of who, in a
demanding manner, sings the Mass?"
75.18 發問者：該獵戶實體對於你剛才說到的這個實體，很費力地唱彌撒的那位，有什麼目的？
Ra: I am Ra. The Orion entity wishes to
remove the instrument.
RA：我是Ra。該獵戶實體想望去除該器皿。
75.19 ▶
Questioner: Is this a fourth- or a fifth-density entity?
75.19 發問者：這是一個第四或第五密度的實體？
Ra: I am Ra. This instrument is being
greeted by a fifth-density entity which has lost some polarity due to its lack
of dictatorship over the disposition of the instrument’s mind/body/spirit or its yellow-ray activated physical complex.
RA：我是Ra。這個器皿正在被一個第五密度的實體致意、由於缺乏處置該器皿的心/身/靈或其黃色光芒啟動的肉體複合體的獨裁權、它已經失去了一些極性。
75.20 ▶
Questioner: You are speaking of this other person now that is singing the Mass?
This is correct?
75.20 發問者：你是在說另一個在唱彌撒曲的人？這是否正確？
Ra: I am Ra. No.
RA：我是Ra。否。
"75.21 ▶
Questioner: I think there was a little miscommunication here. The other person
who sings the Mass who helped in creating this chink you said was also greeted
by an Orion entity, and my question was what density was that entity that
greets the person who sings the Mass?"
75.21 發問者：我想這裡有一點溝通不良。另一個在唱彌撒曲的人協助創造這個你說到的裂縫、它也被一個獵戶實體致意，而我的問題是向唱彌撒曲的那個人致意的獵戶實體屬於什麼密度？
Ra: I am Ra. We did not speak of any entity
but the instrument.
RA：我是Ra。我們並未談到任何實體、除了該器皿。
75.22 ▶
Questioner: OK. I misunderstood. I thought you were speaking of someone else in
the singing group who had been the one you were speaking of [regarding] the
identification with the singing. The entire time we were speaking then we were
speaking only of the instrument— Carla? Is this
correct?
75.22 發問者：OK，我誤解了。我以為你說的是另一個歌唱小組的成員曾經認同該歌唱過程。整個時段我們談論的都只有該器皿，卡拉？這是否正確？
Ra: I am Ra. This is correct.
RA：我是Ra。這是正確的。
"75.23 ▶
Questioner: I am sorry for the confusion. Sometimes, as you say, sound
vibration complexes are not very adequate, and I’m sorry."
75.23 發問者：好的，我對於該混淆感到抱歉。有時候，如你說的，聲音振動複合體並不十分夠用，我感到抱歉。
You made the statement in a previous
session that the true adept lives more and more as it is. Will you explain and
expand upon that statement?
你曾在先前的集會做出聲明：真實的行家越來越活出它之所是。你可願解釋並擴充那個聲明？
"Ra: I am Ra. Each entity is the
Creator. The entity, as it becomes more and more conscious of its self,
gradually comes to the turning point at which it determines to seek either in
service to others or in service to self. The seeker becomes the adept when it
has balanced with minimal adequacy the energy centers red, orange, yellow, and
blue with the addition of the green for the positive, thus moving into indigo
work."
RA：我是Ra。每個實體都是造物者。該實體，當它變得越來越意識到它的自我、逐漸來到一個轉捩點、它在此決定去尋求服務他人或服務自我。當尋求者在紅色、橙色、黃色、藍色的能量中心平衡上達到最小的適當程度，正面極性再加上綠色，從而移動進入靛藍色的工作；(於是)該尋求者成為行家。
"The adept then begins to do less of
the preliminary or outer work, having to do with function, and begins to effect
the inner work which has to do with being. As the adept becomes a more and more
consciously crystallized entity it gradually manifests more and more of that
which it always has been since before time; that is, the One Infinite
Creator."
然後該行家開始比較少做預備性、或外在的跟功能有關的工作；接著開始促成內在的工作、跟存在有關。當行家成為一個越來越有意識地結晶化實體，它逐漸越來越多地顯化它從時間(存在)以前就一直是的：也就是太一無限造物者。
"75.24 ▶
Questioner: The answer to this question probably has to do with our distorted
view of time, but I see Wanderers in this density who have come from fifth or
sixth density. [It] seems to me [that they] should already be of a relatively
high degree of adeptness [and] must follow a slightly or somewhat different
path back to the adeptness that they previously had in a higher density and get
as close to it as they can in third density. Is this correct?"
75.24 發問者：這個問題的答案很可能與我們扭曲的時間視野有關，但我看到這個密度中的流浪者來自第五或第六密度，在我看來，他們應該早已具備相對高程度的行家性、並且必須追隨一條稍微或有些不同的途徑返回他們曾經在較高密度擁有的行家性，在第三密度中、盡可能地接近原先的狀態。這是否正確？
Ra: I am Ra. Your query is less than
perfectly focused. We shall address the subject in general.
RA：我是Ra。你的詢問小於完美地聚焦。我們將一般性地談論該主題。
"There are many Wanderers whom you may
call adepts who do no conscious work in the present incarnation. It is a matter
of attention. One may be a fine catcher of your game sphere, but if the eye is
not turned as this sphere is tossed then perchance it will pass the entity by.
If it turned its eyes upon the sphere, catching would be easy. In the case of
Wanderers which seek to recapitulate the degree of adeptness which each had
acquired previous to this life experience, we may note that even after the
forgetting process has been penetrated there is still the yellow-ray activated
body which does not respond as does the adept which is of a green- or blue-ray
activated body. Thusly, you may see the inevitability of frustrations and
confusion due to the inherent difficulties of manipulating the finer forces of
consciousness through the chemical apparatus of the yellow-ray activated
body."
有許多流浪者、你們可以稱為行家，它們在目前這一世並未做有意識的工作。重點是注意力。一個實體可以是一個優秀的捕手、捕捉你們的遊戲球體，但如果球體被投出之際，雙眼沒有轉向它，那麼它就可能越過該實體。如果該實體將雙眼轉向球體，接球會是容易的。以流浪者的例子而言，它們尋求重現其行家性，即每一位在這輩子以前獲得的程度，我們可以補充說明，即使在遺忘過程被穿透之後，依然存在黃色光芒啟動的身體，它的反應不及一個行家擁有綠色或藍色光芒啟動的身體。因此，你可以看到挫折與困惑是不可避免的、由於透過黃色光芒啟動身體的化學組織來操縱意識的較細微原力之中、固有的一些困難。
"75.25 ▶
Questioner: You probably can’t answer this, but are there any suggestions you could give with
respect to the instrument’s coming hospital experience that could be of benefit
for her?"
75.25 發問者：你大概不能回答這點，但關於該器皿即將到來的醫院經歷，你可否給予任何對於她有益處的建議？
Ra: I am Ra. We may make one suggestion and
leave the remainder with the Creator. It is well for each to realize its self
as the Creator. Thusly each may support each including the support of self by
humble love of self as Creator.
RA：我是Ra。我們可以提出一個建議、將剩餘的留給造物者。(在座)每一個領悟到它的自我為造物者、這是好的。因此每一個(實體)可以支持彼此、包括對自我的支持、透過自我[如同造物者]的謙卑之愛。
"75.26 ▶
Questioner: You spoke in a previous session about certain Hebrew and Sanskrit
sound vibratory complexes being powerful because they were mathematically
related to that which was the creation. Could you expand on this understanding,
please, as to how these are linked?"
"Ra: I am Ra. As we previously stated
the linkage is mathematical or that of the ratio. You may consider it musical.
There are those whose mind complex activities would attempt to resolve this
mathematical ratio but at present the coloration of the intoned vowel is part
of the vibration which cannot be accurately measured. However, it is equivalent
to types of rotation of your primary material particles."
RA：我是Ra。如我們先前陳述的（先前在74.17~74.19有陳述過）、該連結是數學的、或跟比例有關。你可以考量它為音樂的。有些實體會在心智複合體的活動中嘗試解決這個數學比例，但在目前、吟唱母音的音色是不能被準確衡量之振動的一部分。無論如何，它相當於你們主要物質粒子之各個旋轉類型。
75.27 ▶
Questioner: If these sounds are precisely vibrated then what effect or use
would they have with respect to the purposes of the adept?
75.27 發問者：現在...如果這些聲音被精準地振動，那麼以行家的目的而言、它們會有什麼效果或用途？
"Ra: I am Ra. You may consider the
concept of sympathetic resonance. When certain sounds are correctly vibrated,
the creation sings."
RA：我是Ra。你可以考量交感共鳴的概念。當特定的某些聲音被正確地振動、(整個)造物歌唱著。
"75.28 ▶ Questioner:
Would these sounds, then, be of a musical nature in that there would be a
musical arrangement of many different sound vibrations, or would this apply to
just one single note? Or which would it apply more to?"
75.28 發問者：那麼、這些聲音具有音樂特質，因為它們是許多不同聲音振動的音樂編曲，或它適用於單一的音符？何者應用得比較多？
"Ra: I am Ra. This query is not easily
answered. In some cases only the intoned vowel has effect. In other cases, most
notably Sanskrit combinations, the selection of harmonic intervals is also of
resonant nature."
"75.29 ▶
Questioner: Then would the adept use this resonant quality to become more one
with the creation and, therefore, attain his objective in that way?"
75.29 發問者：那麼、行家會不會使用這個共鳴之品質、變得越來越跟(宇宙)造物合一，於是，以那種方式達成他的目標？
"Ra: I am Ra. It would, perhaps, be
more accurate to state that in this circumstance the creation becomes more and
more contained within the practitioner. The balance of your query is
correct."
RA：我是Ra。在這個情況中，或許更準確的陳述是：該造物變得越來越多被包含在該實踐者之內。你的詢問的平衡是正確的。
75.30 ▶
Questioner: Could you tell me the musical name of the notes to be intoned that
are of this quality?
75.30 發問者：你可否告訴我屬於這種品質的吟唱音符、關於它們的音樂名稱？
Ra: I am Ra. We may not.
RA：我是Ra。我們不可以。
"75.31 ▶
Questioner: I didn’t think that you could, but I thought it wouldn’t hurt to ask."
75.31 發問者：我不認為你可以，但我想問一下也無傷。
Then I assume that these must be sought out
and determined by empirical observation of their effect by the seeker. Is this
correct?
那麼我假設：這些(音符)必須透過尋求者經驗觀察、找出並決定它們的效果。這是否正確？
Ra: I am Ra. This is partially correct. As
your seeking continues there will be added to empirical data that acuity of
sensibility which continued working in the ways of the adept offers.
RA：我是Ra。這是部分正確的。當你的尋求繼續下去、除了經驗觀察的資料，會有額外的感覺力的敏銳度、它將在行家提供的各種方式上持續運作。
"75.32 ▶
Questioner: The three aspects of the magical personality are stated to be
power, love, and wisdom. Is this correct and are these the only primary aspects
of the magical personality?"
"Ra: I am Ra. The three aspects of the
magical personality, power, love, and wisdom, are so called in order that
attention be paid to each aspect in developing the basic tool of the adept;
that is, its self. It is by no means a personality of three aspects. It is a
being of unity, being of sixth density and equivalent to what you call your
higher self and, at the same time, is a personality enormously rich in variety
of experience and subtlety of emotion."
RA：我是Ra。魔法人格的三個面向：力量、愛、智慧；它們被如此稱呼是為了讓注意力放在每一個面向，以發展行家的基本工具，也就是它的自我。它絕不意味一個(只)有三個面向的人格。它是一個合一的存有、第六密度的存有，相當於你們所稱的較高自我，它同時是一個具有龐大多樣化經驗與情感細微處的人格。
The three aspects are given that the
neophyte not abuse the tools of its trade but rather approach those tools balanced
in the center of love and wisdom and thus seeking power in order to serve.
給予新手這三個面向不是讓它濫用這些專業工具，毋寧在愛與智慧的中心平衡地使用這些工具，於是尋求力量為了去服務。
75.33 ▶
Questioner: You mentioned in an earlier session that the hair was an antenna.
Could you expand on that statement as to how that works?
75.33 發問者：你在稍早的集會提到、頭髮是一種天線。你可否詳述該陳述、關於它如何運作？
"Ra: I am Ra. It is difficult to so do
due to the metaphysical nature of this antenna-effect. Your physics are
concerned with measurements in your physical complex of experience. The metaphysical
nature of the contact of those in time/space is such that the hair, as it has
significant length, becomes as a type of electrical battery which stays charged
and tuned and is then able to aid contact even when there are small anomalies
in the contact."
RA：我是Ra。由於這個天線效應的形而上特質、要這麼做(回答)是困難的。你們的物理學關切的是你們經驗的肉體複合體的衡量。那些屬於時間/空間中的通訊的形而上特質是：當頭髮到達顯著的長度，成為一種電氣電池、維持充能狀態、以及已調頻的狀態、然後能夠協助通訊，即使當通訊中有些小的異常現象。
"75.34 ▶
Questioner: Well, is there an optimum length of hair for this aid?"
75.34 發問者：嗯，在提供這個協助上，是否有個最理想的頭髮長度？
"Ra: I am Ra. There is no outer limit
on length but the, shall we say, inner limit is approximately four to four and
one-half inches depending upon the strength of the contact and the nature of
the instrument."
RA：我是Ra。並沒有長度的上限，但容我們說，下限大約是4到4.5英吋、依通訊的氣力與該器皿的特質而定。
"75.35 ▶
Questioner: May anyone in third density accomplish some degree of healing if
they have the proper will, desire, and polarity, or is there a minimal balance
of the energy centers of the healer that is also necessary?"
75.35 發問者：任何第三密度中的實體、如果他們有適當的意志、渴望、極性都能達成某種程度的治療；或者醫者的能量中心還需要最小(程度)的平衡？
"Ra: I am Ra. Any entity may at any
time instantaneously clear and balance its energy centers. Thus in many cases
those normally quite blocked, weakened, and distorted may, through love and
strength of will, become healers momentarily. To be a healer by nature one must
indeed train its self in the disciplines of the personality."
RA：我是Ra。任何實體可以在任何時間瞬間清除與平衡它的能量中心。因此在許多情況中，那些通常相當阻塞、虛弱、扭曲的實體可以透過愛與意志的氣力，短暫地成為醫者。要在本質上成為醫者、一個實體必須確實地在人格修練上訓練它的自我。
75.36 ▶
Questioner: How does the use of the magical ritual of invoking the magical
personality aid the mind/body/spirit complex totality? Could you expand on the
answer you gave in the last session with respect to that?
75.36 發問者：使用魔法儀式祈請魔法人格、這如何可以協助其心/身/靈複合全體？你可否根據上場集會中、你給予的答案加以擴充？
Ra: I am Ra. When the magical personality
is properly and efficaciously invoked the self has invoked its Higher Self.
Thus a bridge betwixt space/time and time/space is made and the sixth-density
magical personality experiences directly the third-density catalyst for the
duration of the working. It is most central to deliberately take off the
magical personality after the working in order that the Higher Self resume its
appropriate configuration as analog to the space/time mind/body/spirit.
RA：我是Ra。當魔法人格被適當地、有效地祈請，該自我已經祈請它的較高自我。如此一道橫跨空間/時間與時間/空間的橋樑被打造，在該工作期間、第六密度的魔法人格直接經驗第三密度的催化劑。在工作完成後，刻意地卸除魔法人格是最為中心的事，好讓較高自我回復它適當的配置、如同空間/時間的心/身/靈之類比。
"75.37 ▶
Questioner: Then you are saying that the act, the signal, or the key for the
invoking of the magical personality which is the putting something on or a
gesture should be as carefully— you should as carefully take that something off
or reverse the gesture perhaps at the end of the invocation. Is this
correct?"
75.37 發問者：那麼你是說，為了祈請魔法人格的動作、信號、或鑰匙，它們就像是穿上某件東西或比一個姿勢、應該是很謹慎的…或許在祈請過程的尾聲，你應該盡量謹慎地脫下那件東西，或反轉該姿勢。這是否正確？
Ra: I am Ra. This is correct. It should be
fastidiously accomplished either in mind or by gesture as well if this is of
significant aid.
RA：我是Ra。這是正確的。不管在心智中、或者也藉由姿勢，應該嚴謹講究地完成這件事，假設這樣做有顯著的協助。
"75.38 ▶
Questioner: Now the invocation of the magical personality is not necessarily
effective for the neophyte. Is there a point at which there is a definite
quantum change and that personality does then reside, or can it be done in
small degrees or percentages of magical personality as the neophyte becomes
more adept?"
75.38 發問者：現在，祈請魔法人格不必然對新手有效。是否有一個(臨界)點決定一個明確的量子改變，於是魔法人格確實地駐紮？或者在新手逐漸變成行家的過程中，可以小程度或小百分比地祈請魔法人格？
Ra: I am Ra. The latter is correct.
RA：我是Ra。後者是正確的。
"75.39 ▶
Questioner: Then is it correct that a good sequence for developing the
invocation of the magical personality are alternate meditations, first on
power, then a meditation on love, and then a meditation on wisdom and to
continue cycling that way? Is that an appropriate technique?"
75.39 發問者：那麼發展祈請魔法人格(能力)、一個好的次序會是交替式冥想：首先是力量，然後冥想愛、然後冥想智慧，接著持續以此方式循環，這是否正確？那是否為一個適當的技巧？
Ra: I am Ra. This is indeed an appropriate
technique. In this particular group there is an additional aid in that each
entity manifests one of these qualities in a manner which approaches the
archetype. Thusly visualization may be personalized and much love and support
within the group generated.
RA：我是Ra。這的確是一個適當的技巧。在這個特別的小組、還有額外的協助、因為每個實體顯化這些品質的其中之一、其方式趨近原型。因此觀想可以是個人化的、並且在該小組之內產生許多的愛與支持。[在75.39的結尾和75.40的開頭之間有48秒的停頓]
"75.40 ▶ Questioner:
Is the exercise of fire the best for the instrument, or is there anything
better that we could do other than, of course, the things that you have already
suggested to aid the instrument?"
75.40 發問者：火的練習是否對該器皿最好，或有任何更好的方式是我們可以做的，當然，不同於你早已建議的、協助該器皿的方式？
"Ra: I am Ra. Continue as you are at
present. We cannot speak of the future as we may then affect it, but there is a
great probability/possibility if you follow the path which you now tread that
more efficacious methods for the entire group will be established."
RA：我是Ra。繼續你們目前的方式。我們不能談論未來、因為我們可能影響它，但如果你們遵循目前行走的途徑、有一個巨大的或然率/可能性，這整個小組將建立更有效力的方法。
This instrument begins to show rapid
distortion towards increase of pain.
這個器皿開始顯現快速朝向痛苦增加的變貌。
"We, therefore, would offer time for
any brief queries before we leave this working."
所以，在我們離開這次工作集會之前、願提供時間給任何簡短的詢問。
75.41 ▶
Questioner: Is there anything that we can do to make the instrument more
comfortable or improve the contact?
75.41 發問者：有沒有任何我們可以做的事、使該器皿更舒適或改善該通訊？
Ra: I am Ra. You are conscientious. The
alignments are well.
RA：我是Ra。你們是謹慎認真的。各項排列是良好的。
"I am Ra. I leave you, my friends, in
the love and the light of the One Infinite Creator. Go forth, therefore,
rejoicing in the power and peace of the One Infinite Creator. Adonai."
我是Ra，我的朋友們，我在太一無限造物者的愛與光中離開你們。所以，向前去吧，在太一無限造物者的大能與和平中歡欣慶祝。Adonai。
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